Roberto Ferri is a young Italian artist whose work seems to be inspired by Romanticism and Baroque art a la Caravaggio. This tickles my fancy. I love to see this style come out of someone who was born in 1978.
His paintings remind me a bit of Auguste Rodin… the way he paints the male back, specifically. Some of his paintings are painfully evocative, others are just beautiful.

These are my favorites from the gallery on his website.  Each one fascinates me for different reasons.  It’s so rare to find an artist whose work prods at so many parts of your artistic taste.

Apollo e Dafne

 I love the vertical tension in Apollo e Dafne.  The woman hangs like a carcass as the man pulls her down towards him while craning his neck upwards and arching his body back… all soft lines that look like human desperation to me.  Also, the realism with which the woman’s back is painted is in such stark contrast to her head, neck and leg…

Donato

Donato is all body and no head, no man, just human. I like the use of light in this one. The way it dehumanizes and humanizes all at the same time.

Eros Anteros

Eros Anteros is actually the painting which I was the least excited about visually, but I had to include because of my initial response.  I immediately fell into the painting… meaning, I sympathize. She looks not only horribly uncomfortable but also really vulnerable (yes, the vulnerability is a bit BDSM, but it’s there and it’s powerful.)

Euterpe

Euterpe is the essence of a classical Baroque nude and the addition of the violin makes me happy.

La Sorgente

 La Sorgente I like simply for its delicacy.

Prigione di lacrime

 This one’s is all about the hand grab and the contrast of skin color. It’s real to me.

 

Uniforms for the Dedicated is a men’s clothing line/art/music/film project that seems to dabble in just about everything.  I don’t know anything about them at all aside from the fact that they made this damn neat video that I think you should watch.

It’s dreamy weather we’re on
You waved your crooked wand
Along an icy pond with a frozen moon
A murder of silhouette crows I saw
And the tears on my face
And the skates on the pond
They spell Alice

I disappear in your name
But you must wait for me
Somewhere across the sea
There’s a wreck of a ship
Your hair is like meadow grass on the tide
And the raindrops on my window
And the ice in my drink
Baby all I can think of is Alice

Arithmetic arithmetock
Turn the hands back on the clock
How does the ocean rock the boat?
How did the razor find my throat?
The only strings that hold me here
Are tangled up around the pier

And so a secret kiss
Brings madness with the bliss
And I will think of this
When I’m dead in my grave
Set me adrift and I’m lost over there
And I must be insane
To go skating on your name
And by tracing it twice
I fell through the ice
Of Alice

And so a secret kiss
Brings madness with the bliss
And I will think of this
When I’m dead in my grave
Set me adrift and I’m lost over there
And I must be insane
To go skating on your name
And by tracing it twice
I fell through the ice
Of Alice
There’s only Alice

Two Scavengers In A Truck, Two Beautiful People In A Mercedes
By Lawrence Ferlinghetti

At the stoplight waiting for the light
Nine A.M. downtown San Francisco
a bright garbage truck
with two garbage men in red plastic blazers
standing on the back stoop
one on each side hanging on
and looking down into
an elegant open Mercedes
with an elegant couple in it
The man
In a hip three-piece linen suit
With shoulder-length blond hair & sunglasses
The young blond woman so casually coifed
with a short skirt and colored stocking
On his way to his architect’s office
And the two scavengers up since Four A.M.
Grungy from their route
On the way home
The older of the two with grey iron hair
And hunched back
Looking like some
Gargoyle Quasimodo
And the younger of the two
Also with sunglasses and long hair
About the same age as the Mercedes driver
And both scavengers gazing down
As from a great distance
At the cool couple
As if they were watching some odorless TV ad
In which everything is possible

And the very red light for an instant
Holding all four close together
As if anything at all were possible
Between them
Across that great gulf
In the high seas
Of this democracy

 

Nina Ananiashvili is a Georgian ballerina born in 1963.
This video is a classic. I want her arms. The end.

Watch the vid HERE.

(The embedding was disabled so you’ll have to do the click-work your self.)

One of the most memorable bed time stories I’ve heard that has stuck with me throughout the years is Dwarf Nose (Karlik Nos in Russian) by Wilhelm Hauff.

A young boy works at a market helping his mother sell herbs. One day an old and ugly woman with a giant nose comes sniffing around their booth. The boy is rude to her, poking fun at her disfigured nose, so she requests his help carrying her herbs home across town. There she makes him a soup that knocks him out for seven years. He dreams about turning into a master chef servant squirrel, and wakes up seven years later as a midget with a long nose. Imagine that.
He runs back to the market and finds his mother who of course doesn’t recognize him and shooes him off when he claims to be her lost son. He then goes to his leatherworker father who tells him the story of the long-lost son while offering to make a leather case for the midget’s horrid nose.
The boy then shuffles off to the nearby castle and goes to work for the duke as a master chef, earning respect for his talent regardless of his disfigurement.
One day he goes to the market to buy geese for the kitchen, and one of the flock starts to speak to him, informing him that she is actually the daughter of a powerful wizard and can help him reverse the spell. They run away from the castle, find some rare herbs that turn them back to their normal selves, and all ends well.

Cute, huh? I would love to see this turned into an opera.

Just came across this video on youtube. This is an 18 year old boy from Belarus playing Satie’s Gnossienne No. 1, which is, in my humble opinion, one of the most beautiful pieces of music ever written.
The point of this post, however, is not so much the song as it is the way that this boy connects with his guitar. His physical expressiveness blows my mind. Enjoy!

since feeling is first
who pays any attention
to the syntax of things
will never wholly kiss you;
wholly to be a fool
while Spring is in the world

my blood approves,
and kisses are a better fate
than wisdom
lady i swear by all flowers. Don’t cry
—the best gesture of my brain is less than
your eyelids’ flutter which says

we are for each other: then
laugh, leaning back in my arms
for life’s not a paragraph

And death i think is no parenthesis

Carmen Amaya (1913-1963) was a flamenco dancer and singer from Barcelona. Her dancing won quite a bit of attention from the likes of film directors and US presidents along with the usual dance fanatics.
What strikes me about her dancing is the polarity between her two halves. She carries her upper body with a masculine roughness and strength, but her lower body is softer, and more feminine. I realize that this might just be a quality of flamenco, but Carmen pulls it off more poignantly than I’ve ever seen.

Since this is a collaboration with some of my favorite bay area musicians, I’m giving my self the leeway to post something personal on this lil’ art blog.
This is Avatar Ensemble with Doug Martin on lead guitar, Jason Vanderford on rhythm guitar, Clint Baker on upright bass, Michael Zisman on mandolin, and me on the dance floor. The song is “Quizas, quizas, quizas.”

Musings

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